The next meeting of the University of Leeds Medieval Group is on Monday, 17 March. As always, we will begin with tea and biscuits at 5 followed by a paper at 5.30 in the Le Patourel room (Parkinson 406).
William Flynn and Jane Flynn (Institute for Medieval Studies), ‘The Experience of Worship in Late-Medieval Parish Church: Two Participants’ Views of an AHRC/ESRC project’
The speakers will be showing extracts from the Liturgies at St Teilo’s Church which formed part of the project ‘The Experience of Worship in Late Medieval Cathedral and Parish Church’ (John and Sally Harper- Lead investigators. See more at: http://www.experienceofworship.org.uk/) in which they both participated as Lord (Bill) and Lady (Jane) of the manor, Beguine nun (Jane) and the nuns’ prior (Bill), boy chorister (Jane), Steward (Bill), poor parishioner (Jane) and choral clerk (Bill). The presentation will focus on the aims of the project, the particular research formation and questions that Bill and Jane brought to it, how the project evolved over the four years during which they participated in it, and reflect on its influence on their own research.
Dr William Flynn is Lecturer in Medieval Latin at the Institute for Medieval Studies, University of Leeds. He is a graduate of University of Rochester (BMus), University of Edinburgh (MMus) and Duke University (MA, PhD). His research and publication focus on the interactions between liturgy, music and theology, elementary music and grammar instruction to 1200, music in the context of Latin palaeography, music theory to 1300 and writings of Hildegard of Bingen. Among his publications are Medieval Music as Medieval Exegesis (Scarecrow Press, 1999) and a performing edition of Hildegard of Bingen’s O frondens virga (Chapel Hill, 1998); “Ductus figuratus et subtilis: Rhetorical Interventions for Women in Two Twelfth-Century Liturgies’, in Rhetoric Beyond Words, ed. Mary Carruthers (Cambridge University Press, 2009); ‘Singing with the Angels: Hildegard of Bingen’s Representations of Celestial Music’, in Conversations with Angels, ed. Joan Raymond (Houndsmills, 2009); “Letters, Liturgy and Identity: The Use of the Sequence Epithalamica at the Paraclete,” in Sapientia et Eloquentia: Meaning and Function in Liturgical Poetry, Music, Drama, and Biblical Commentary in the Middle Ages, ed. Gunilla Iversen and Nicolas Bell (Turnhout, 2009). http://www.leeds.ac.uk/arts/profile/20046/1196/william_flynn
Dr Jane Flynn is Visiting Research Fellow, Institute for Medieval Studies. Her research and publications centre on music and pedagogy up to c 1650, keyboard music, vocal and instrumental improvisation from the mid-14th to the mid-17th centuries, Machaut and English liturgical music. Among her publications are: ‘The Education of Choristers in England during the Sixteenth Century’, in English Choral Practice, c. 1400-c. 1650, ed. John Morehen (1995), ‘The Intabulation of De toutes flours in the Codex Faenza as Analytical Model’ in Machaut’s Music: New Interpretations, ed. Elizabeth Leach (2005) and Laus angelica Poetry in the Medieval Mass (Turnhout, 2010). http://www.leeds.ac.uk/arts/profile/20046/1199/jane_flynn
Everyone is welcome and we hope to see you there!
Emilia Jamroziak (on behalf of Medieval Group committee)












